【獎項 Prizes】　優選 Distinction

【國家或地區 Country/Region】　臺灣 Taiwan

【公司／團隊 Company/Group】　Plan b

【設計師姓名 Designer】　游適任、陳韻竹、張憲文、賴宣羽、孫春芳

【作品介紹 Description】

臺北文創記憶中心為臺北文創大樓的常態性實驗計畫，每年透過生活中的小事喚醒文化記憶共鳴，在全球化的同質性潮流下，找到自身的文化識別與身分認同。首屆的記憶中心以正體字為主題，實體展覽為呈現形式，於 2016 年圓滿落幕。 2017 記憶中心刻意跳脫實體場域的限制，延伸「匯聚事物溝通節點」的概念，選定以「米」為題，「媒體」為載體，邀請港中臺七家媒體，針對三地的共同飲食記憶，進行不同視角的跨文化對話。以一年時間策劃系列計畫，呼應米於不同時節的型態，而「米倉計畫」則是 2017 記憶中心將抽象載體具體呈現的階段性成果。 　 「米倉計畫」以用膳的辦桌台，重現臺灣傳統飲食文化場景，將七家媒體對於米的獨特觀點分別陳列。現場除了邀請臺灣致力於米文化的單位具體呈現，為呼應記憶主題「米」的溫度，亦特別與北投農會水稻班合作，將二期稻移植現場，並邀請建築科系學生參與工作坊一同模擬城市中的梯田景觀，選用方便快速組裝的可回收木棧板作為空間主素材，不僅呼應伊東豊雄設計的臺北文創大樓建築外觀，也堆疊著城市人對於稻田、土地、自然的嚮往，讓展覽不只是單方面的資訊傳達，更是互動溝通所建構的集體記憶。

 

The TNH Center is the regular experimental program of the Taipei New Horizon Building. Each year, the Center seeks to evoke culture awakening through a everyday object in the face of the global trend of homogeneity to find one’s own cultural identity and identity acknowledgement. The inaugural TNC Center was based on the theme of “Traditional Chinese Typeface” presented in a physical exhibition, which wrapped up successfully in 2016. The 2017 TNH Center had overcome the limitations of physical space, extended the concept of “communication node of all things,” selected “rice” as the annual theme, elected “media” as the medium, and invited seven media outlets from both sides of the Taiwan Strait and Hong Kong to participate in a cross-cultural dialogue centered on this shared diet from different perspectives. The planning of the project series spanned over a year, reflecting the seasonal evolutions of rice. The “Rice Granary Project’s” transformation from an abstract concept to a physical exhibit is the phasic outcome of the 2017 TNH Center. The 'Rice Granary Project ' recreated the food culture scene of Taiwan with traditional dining tables, displaying the individual perspectives of each of the seven media outlets. In addition to inviting the advocates of Taiwan’s rice culture, the project team collaborated with Beitou Agricultural Association’s Rice Class to transplant a second-phase rice field to the exhibition space, to comprehensively convey the annual theme of “rice.” Architecture students were also invited to participate in a workshop to simulate and construct an urban terraced field with recyclable wooden pallets for easy and efficient assembly as the main material for the space. It not only mirrors the concept of Toyo Ito in his design of Taipei New Horizon Building’s exterior, but also compiles the urbanite yearning for rice fields, land, and nature, enabling the exhibit to extend beyond a unidirectional information transmission to a collective memory composed of interactive communication.