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Nature Being 蕪為

【Prizes|獎項】Sponsors Award|廠商贊助獎

【Country/Region|國家或地區】Taiwan|台灣

【Group/Designer|設計團隊/設計師】Nature Retrieve Interior Design|古云山水空間藝術制作 :Yun Chih Yu|游云旨, Yun Ju Niu|牛韻茹

【Description|作品介紹】

To respond to the environment and natural ecology, we chose Moso bamboo as the main material, which can be seen everywhere in the coastal fishery environment, and the elements of the oyster shed constructed by local oyster farmers at sea are taken as the main axis. We kept the bamboo in its original state, without any coating and chemical processing. After the installation was unloaded, the thousands of bamboo was successfully recycled by farmers and fishermen for secondary use, which not only returned to the local fishery environment but also greatly reduced the environmental cost of secondary transportation. There are many oyster farmers who work with the tide. They make oyster racks from bamboo. During the exploration, we have seen thousands of bamboo floating on the sea surface, forming a unique oyster industry landscape here. In addition, in the harbor where ships are parked, we also see that bamboo is used as an anti-collision grille between ships. These lifestyles, which are closely related to the local environment, urge us to think about the thread of design elements.

Video link:https://vimeo.com/944592191

作品以回應環境生態為主軸,取用蚵農於海上組構的蚵棚元素,主材料選用沿岸漁業環境中處處可見的庶民材料——孟宗竹,並保持竹子原生樣態,不覆蓋塗料、不做化學加工,裝置卸載後五千支竹子被蚵農、漁民們回收進行二次使用,不僅回歸當地漁業生態,亦大幅降低二次運輸的環境成本問題。 本案位於台南安平林默娘公園。安平是台南靠海區域中觀光、漁業經濟活動相對蓬勃的地區。我們經歷超過半年的基地環境踏查,從盛夏到寒冬,除了關注現地原生態的自然樣貌,也細細體察在地人為活動軌跡。 這裡有許多隨潮汐工作的養蚵農,他們以竹材製成蚵架,勘查過程中我們就曾看見數千支的竹子浮於海面上,形成極具特色的牡蠣產業景觀。此外,漁民在船隻間建起一組又一組的立式防撞竹構。這些與現地環境緊扣的生活樣貌皆促使著我們思考設計語彙的依循脈絡。 2024適逢台南建城400年,在安平這個古蹟與舊城堡壘眾多的歷史場域,我們藉由700公尺長尺度且高大的規模,建起一座帶有古城牆意象的立體空間,並設計一處複層曲面空間,將廟宇屋脊線翻轉成立面,回應在地廟宇建築對應的宗教文化景觀記憶。

作品影片連結:https://vimeo.com/944592191